Life and death in Pompeii and Herculaneum

The British Museum is currently presenting a major exhibition on the Roman cities of Pompeii and Herculaneum, the first ever held on these important cities at the British Museum, and the first such major exhibition in London for almost 40 years.

The result of a close collaboration with the Archaeological Superintendency of Naples and Pompeii, over 250 fascinating objects, both recent discoveries and celebrated finds from earlier excavations have been brought together to tell the tale of these doomed Roman towns.  Many of these objects have never before been seen outside Italy and the unique focus looks at the heart of people’s lives in Pompeii and Herculaneum, from the bustling street to the intimate spaces of a Roman home, the heart of people’s lives in Pompeii and Herculaneum.

Pompeii and Herculaneum, two cities on the Bay of Naples in southern Italy, were buried by a catastrophic volcanic eruption of Mount Vesuvius in just 24 hours in AD 79. This event ended the life of the cities but at the same time preserved the them, their rediscovery providing an unparalleled glimpse into the daily life of the Roman Empire. There they remained until rediscovery by archaeologists just over 1,600 years later.

Preserved under ash

Owing to their different locations Pompeii and Herculaneum were buried in different ways and this has affected the preservation of materials at each site. Herculaneum was a small seaside town whereas Pompeii was the industrial hub of the region. Work continues at both sites and recent excavations at Herculaneum have uncovered beautiful and fascinating artefacts.

These include treasures many of which will be displayed to the public for the first time, such as finely sculpted marble reliefs, intricately carved ivory panels and fascinating objects found in one of the main drains of the city.

Portrait of baker Terentius Neo and his wife. Pompeii, AD 55–79. © DeAgostini/SuperStock.

The exhibition will give visitors a taste of daily life, from the bustling street to the family home. The domestic space is the essential context for people’s lives, and allows us to get closer to the Romans themselves. This exhibition will explore the lives of individuals in Roman society, not the classic figures of films and television, such as emperors, gladiators and legionaries, but businessmen, powerful women, freed slaves and children. One stunning example of this material is a beautiful wall painting from Pompeii showing the baker Terentius Neo and his wife, holding writing materials, to prove that they are literate and cultured. Importantly their pose and presentation suggests they are equal partners, in business and in life.

The emphasis on a domestic context also helps transform museum artefacts into everyday possessions. Six pieces of wooden furniture will be lent from Herculaneum by the Archaeological Superintendency of Naples and Pompeii. These items were carbonized by the high temperatures of the ash that engulfed the city and are extremely rare finds that would not have survived at Pompeii – showing the importance of combining evidence from the two cities. The furniture includes a linen chest, an inlaid stool and even a garden bench. Perhaps the most astonishing and moving piece is a baby’s crib that still rocks on its curved runners.

The exhibition will include casts from in and around Pompeii of some of the victims of the eruption. A family of two adults and their children are huddled together under the stairs of their villa. The most famous of the casts on display is of a dog, fixed forever at the moment of its death as the volcano submerged the cities.

Source:  http://www.pasthorizonspr.com/